The Making Of project was realised simultaneously to Family Album - reality of fiction, as a documentation of work in progress. Surprisingly, the "backstage" proved to depict more, than the meticously staged scene itself. Making Of takes up the subject of representation and analogy. It refers to the area “beyond the frame”, to the reality that remains unregistered by a camera. Hence, the photographs seem closer to the idea of the text rather than to the incomplete photographic record inThere are things here not seen in this photography by Duane Michals. The mannequins in the pictures play role of a rhetorical symbol. A doll, as well as a camera, is analogous. Both refer to reality, reflect it and behold the power of exposing more than is seemingly visible as well as travestying the image of "the real". Both, abandoned by an animateur, prove inanimate mechanisms of perceptible, unexploited potential and imagery.